THE DESIGNS OF TZAIMS LUKSUS
THE DESIGNS
OF
TZAIMS LUKSUS
Mother of Pearl
&
Peacock Prussian Blue
Sequin Gown.
●
One only created
New York Times Photo
●
Silk Mousseline Chiffon Gown
One only created
●
The Different Ways for Fabric Design
●
Artistic
or
Commercial
●
WHAT MAKES THESE PRINTS UNIQUE
●
They are not factory production designs
●
They are Artistically Designed and Hand Printed in an Artist's Studio in Limited production as Haute Couture
Fashion.
●
Before 1962 fabric designs for fashion were small prints, repeated several times within a few inches.
●
Factory produced designs were limited in size to conform to the production producing printing method.
●
The largest pattern could not be more than 12 inches square and the production printers could only print to 36 or 42 inches square in repeating patterns. Designs were produced by unknown designers trained in design school to conform to factoty production not getting any credit for their design and paid not more the their hourly wage.
●
●
Tzaims Luksus
never studied fabric design nor was led into conformity nor ever worked for a commercial fabric company.
●
He is an Art Academy fine art artist and not a fabric designer but he turned to designing fabrics seeing a need in high fashion for artisticallh printed fabrics which he could create himself.
●
He never competed with any other design group or individua but continually created fabrics that were too large for printing companies to compete with him. No one could ever compete with Luksus.
●
Even as a Haute Couturier in Paris he was ahead of everyone. He never competed but created his own style, whereas Yves Saint Laurent copied styles from classic designs, but unlike YSL, Luksus created his own fabrics and couture clothes from his own vision whereas Yves bought from commercial fabric companies that produced thousands of yards of every fabric Yves used.
●
THERE IS THE GREAT DIFFERENCE
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These Luksus prints were created by screens 60 jnches wide by 72 inches long taking four printers to print one panel not repeated but as one full design
●
One panel could create a full length gown
●
Luksus created a new trend breaking away from commercial conformity to individually created art pieces ax were his paintings that they came from.
●
Eventually Japan and Finland caught on to his method and began creating over sized hand prints in competition with him.
●
THE LUKSUS ORIGINAL TIE DYED SILKS
●
These are not ordinary
Tie Dyed free form silks
,●
THE WERE ENGINEERED BY LUKSUS INTO A LARGE REPEATED PATTERN.
●
THEY WERE CREATED IN
1962
●
They led Tzaims Luksus into becoming a Legend
by creating an
International Print Explosion
●
TZAIMS LUKSUS
BECAME A CLASSIC
AND
THE MOST CONTINUED COPIED DESIGNER
IN
THE WORLD
●
First the Paris Haute Couture destroyed him and then the US destroyed him until finally the world destroyed most everything he created trying to erase him from fashion and art history
●
Tzaims Luksus
now only exists in a few museums and on the
INTERNET
●
HAND PAINTED
ONE OF A KIND
PAPER GOWNS
IN THE
HARTFORD ATHENEUM
&
THE LOS ANGELES MUSEUM
●
TZAIMS LUKSUS
TIBETAN
1976
OEMBROIDERED SILK CHENILE
Tzaims Luksus
TZAIMS
JAMES HENRY DeRIVER-LUKSUS
TZAIMS LUKSUS
GREEK
1968
O●
Tzaims Luksus
PARIS
JACQUARDS
1968
●
FIN
TZAIMS
AT THE
WALDORF ASTORIA
NEW YORK
2016
●
INTERNATIONAL
UNITED ASSOCIATED
PRESS PHOTO
1966
●
JAMES HENRY DeRIVER-LUKSUS
●
TZAIMS
THE 16 YEAR OLD BOY
THAT
VISUALIZED IT ALL
●
😇
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